SEAN ALEXANDER FISHER
SEAN ALEXANDER FISHER





INFORMATION
    Sean Alexander Fisher is an engineer wearing pataphysical goggles.

With a background in engineering and having previously studied at The Glasgow School of Art and Design Academy Eindhoven his practice blends mechanical engineering and pataphysics. His fascination with metamorphosis and transformation is evident as he turns a critical eye towards humanity's use of the planet's finite resources. Through his sculptures, he seeks to reflect the dynamic nature of the world, emphasizing and responding to the absurd relationship society has with fringe engineering cultures. Furthermore, he explores the interrelations between ecology, economics, communities, and time.

Fisher also works as a photographer and writer, his work can be seen here. 

TEXTS

DAMN MAGAZINE No.83, No Laughing Matter, 2022. 

PRESS

Interview about ‘My Second Plane’ in Leonardo Times Magazine, TU Delft, 2022.

Talks

Arena 2022 - Pataphysical Design? - Holly Kruger, Sean Fisher, Maxime Benvenuto, Elevator Radio, 2022.


Awards

Royal Commission for the Exhibition of 1851 Scholarship

CV available on request


NODES
︎ Email
︎ Instagram
︎ Vimeo
︎ Shop
Paper

Original works on Paper 




Rolls Royce Merlin Engine, 2022.
Crayon on french graph paper,
650x500.


Wright Engine No. 2, 2022.
Crayon on french graph paper,
650x500.


Pratt and Whitney S3H1, 2022.
Crayon on french graph paper,
650x500.



Rolls Royce Merlin Engine Triptych, 2022.
Screenprint french graph paper,
650x500.








Rolls Royce Merlin Engine , 2022.
Screenprint french graph paper,
650x500.



Rolls Royce Merlin Engine Offprint 1 , 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 2, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 3, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 4, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 5, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 6, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 7, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 8, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 9, 2022.
Screenprint french graph paper,
650x500.


Rolls Royce Merlin Engine Offprint 10, 2022.
Screenprint french graph paper,
650x500.


Thank God For Miss Shilling’s Orifice, 2022.
Screenprint french graph paper,
650x500.


Thank God For Miss Shilling’s Orifice, 2022.
Screenprint french graph paper,
650x500.


Thank God For Miss Shilling’s Orifice, 2022.
Screenprint french graph paper,
650x500.


Thank God For Miss Shilling’s Orifice, 2022.
Screenprint french graph paper,
650x500.


INFORMATION
    Sean Alexander Fisher is an engineer based in the Netherlands wearing pataphysical goggles.

His practice blends mechanical engineering and pataphysics. His fascination with metamorphosis and transformation is evident as he turns a critical eye towards humanity's use of the planet's finite resources. Through his sculptures, he seeks to reflect the dynamic nature of the world, emphasizing and responding to the absurd relationship society has with fringe engineering cultures. Furthermore, he explores the interrelations between ecology, economics, communities, and time.

Fisher also works as a photographer and writer and his work can be seen here.

TEXTS

DAMN MAGAZINE No.83, No Laughing Matter, 2022.

PRESS

Interview about ‘My Second Plane’ in Leonardo Times Magazine, TU Delft, 2022.

Talks

Arena 2022 - Pataphysical Design? - Holly Kruger, Sean Fisher, Maxime Benvenuto, Elevator Radio, 2022.

Awards

Royal Commission for the Exhibition of 1851 Scholarship

CV available on request


NODES
︎ Email
︎ Instagram
︎ Vimeo
︎ Ladder Research Observatory
︎ Shop